New York, United States
Cartoonist, illustrator, artist
Levine was born in Brooklyn, where his father Harry ran a small clothing factory. His mother, Lena, was a nurse and political activist who had Communist sympathies. He began to draw as a child, displaying a precocious talent that, at the age of nine, won him an invitation to audition for an animator’s position in Disney’s Los Angeles Studios.
Levine later studied painting at Pratt Institute, at Temple University’s Tyler School of Art in Philadelphia in 1946, and with Hans Hofmann. Immediately following World War II, Levine served in the U. S. Army. After his service, he graduated from Temple with a degree in education and completed his studies at its Tyler School.
Levine initially hoped to be a full-time painter, but was often forced to subsist on illustration work from publications like Gasoline Retailer. Nevertheless, he turned out a body of paintings, although many of these were destroyed in a fire in 1968. Levine’s paintings are mostly watercolors that often depict garment workers, honoring his father’s employees, and bathers at Coney Island. The paintings, in contrast to his illustrations, are “sympathetic portraits of ordinary citizens, fond and respectful renderings of the distinctive seaside architecture, panoramas with people on the beach.” Levine, together with Aaron Shikler founded the Painting Group in 1958, a salon of artists with whom he gathered for fifty years to paint models. The group was the subject of a 2007 documentary called Portraits of a Lady, which followed their creation of simultaneous portraits of U. S. Supreme Court Justice Sandra Day O’Connor.
A job at Esquire in the early 1960s saw Levine develop his skills as a political illustrator. His first work for The New York Review of Books appeared in 1963, just a few months after the paper was founded. Subsequently, he drew more than 3,800 pen-and-ink caricatures of famous writers, artists and politicians for the publication. Levine would review a draft of the article to be illustrated, together with photos or other images sent by the staff of the Review. Within a few days, he would return a finished drawing that caught “a large fact about his subject’s character”; “his brilliance lay in weaving [the article’s] ideas with his own”. Only about half of Levine’s caricatures were created for the Review. Other work has appeared in Esquire (over 1,000 drawings), The New York Times, The Washington Post, Rolling Stone Magazine, Sports Illustrated, New York Magazine, Time, Newsweek, The New Yorker, The Nation, Playboy, and others.
As a caricaturist for these publications, Levine distinguished his process from that of political cartoonists: “I could take time to really look it over and think about it, read the articles and so on. The political cartoonists don’t get a chance. The headlines are saying this and this about so-and-so, and you have to come up with something which is approved by an editor. I almost never had to get an approval. In forty years I may have run into a disagreement with The New York Review maybe two times.” However, as his son Matthew Levine wrote in 1979, on at least three occasions The New York Times refused to print works it had specifically commissioned David Levine to draw for its Op-Ed page, including cartoons of Henry Kissinger, Richard Nixon, and former New York mayor Ed Koch.
In 1967 he was elected into the National Academy of Design as an Associate member and became a full Academician in 1971.
Levine’s work has been exhibited extensively in galleries and museums around the world, and several collections of his paintings and drawings have been published by the Review and elsewhere, such as The Arts of David Levine, published by Knoph in 1978. In 2008, he published a book, American Presidents, featuring his drawings of U.S. Presidents over five decades, which was also the basis for an exhibit at the New York Public Library.